Clean power = clear sound.  We have 2 electrical systems.  One specifically designed for audio, and the other for everything else (lights, computers, AC etc).  The audio electric uses a 50amp Equitech Balanced Power system  with a low impedence dedicated ground.  There is nothing smaller than 12ga wire all the way to our gear using JPS Labs (jpslabs.com) wire.

Analog Recorders:
Ampex MM1200 2” 16 track (optional  Dolby SR)
Ampex 351 tube 2 track (1/4” and ½” headstacks)

Digital Recording:
Pro Tools HD4  with 32 channels IO
(Plugins by Sony, Waves, McDSP, Massenberg, Altiverb, Autotune, Bombfactory,Drawmer, Eventide, Sound Toys, etc)
Logic 8
Akai MPC 4000
Appe G5 dual 1.8ghz  5gig ram

AD /  DA Converters:
JCF Converters: Mastering quality custom converters
JCF 8 channel DA
JCF 8 channel custom tube DA
JCF 16 channels AD
Lavery (DB Tech) Gold  2 channel MKII
(2) Apogee Rosetta 800’s (for effects sends/returns)

Monitors:
ADAM S3A (pair)

Mic Pre’s:
2 Neve 1272’s
2 API 312’s (the good ones from vintage console)
2 Mastering Lab tube
2 Langevin AM16’s
2 RCA BA 71 vintage
2 RCA BA 31 vintage
2 Langevin 116 vintage tube
2 Langevin 117 vintage tube
4 RCA BA-21 vintage tube

Compressors:
Manley Variable Mu Limiter (hi pass mod)
Pendulum 6386 Vari Mu
1176 blackface (vintage D model)
1176 silverface (vintage, modified)
Thermionic Culture Phoenix
Summit TLA-100
Drawmer 1968 Mercenary Edition
Chandler TG-1 EMI recreation
RCA BA6A vintage tube
Empirical Labs Fatso
(2) DBX 160’s
SPL Transient Designer TD4 (4 channel)

Equalizers:
Manley Massive Passive
Sontec MEP250 (similar to gml 8200)
Amek Medici (stereo mastering EQ)
(2) API 550a
API 554 (sweepable)
(2) Mercury EQP-1 (Pultec replica)
Pultec EQP 1A
(2) Altec 9061

Effects:
EMT 140 Plate with Martinsound upgrade
Lexicon 480L
Lexicon PCM60
Ursa Major Space Station (vintage)
Sony R7
TC Electronics 1210 Spatial Expander
Echoplex tube tape echo (vintage)