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Analog Recording

Ampex MM1200 16 track 2” (15,30ips)
Ampex 440 B 2 track (1/4” 15ips)
Ampex 351 tube 2 track (1/4” 7.5, 15ips)

Digital Recording

Pro Tools HDX

AD / DA Converters:
- JCF Audio AD8 (transformer based AD) (2 units)
- JCF Audio DAV8 tube DA
- JCF Audio 8 ch custom built DA (discreet transformer based)

- Apogee Symphony Interfaces (2)
- Dangerous Music Convert 8 DA
- Dangerous Music DAC DA (2ch DA)
- Lavery Savitr AD

Monitors

ADAM S3A
with dual 15" woofers


Focal Alpha 65 (Keyboard Room)
Mackie HR 824 (live room)
Yamaha NS10m Studio
 
Monitoring: Dangerous Music Monitor ST 
Studio Headphone System: Furman HDS16 / HRM 16

Microphone Preamps

8 API 312 (vintage)
6 Neve 1290 (vintage 1073 w/out EQ)
2 Mastering Lab (tube)
2 Langevin AM16 (vintage)
2 Langevin 116 (vintage tube)
2 Langevin 117 (vintage tube)
4 RCA BA-21 (vintage tube)
2 RCA BA 73 (vintage germanium)
2 RCA BA 31 (vintage germanium)
1 Universal Audio 610 Solo (tube)
2 AEA RPQ 500
2 Golden Age Pre 73 MK III

1 Shadow Hills Mono Gama

Compressers / Limiters

Manley VariMu Limiter (6386 tubes)
Pendulum 6386 Vari Mu Limiter
Urei 1176 blackface (vintage D model)
Urei 1176 silverface (vintage, Steve Haselton mod)
RCA BA6b (vintage)
API 2500 +
AudioScape DA-3A
Thermionic Culture Phoenix
Chandler TG-1(EMI recreation)
Focusrite Red 3 (VCA w/ transformers)
Dangerous Music Compressor (VCA)
Tube Tech SMC 2B
Elysia Mpressor
Summit TLA-100
Drawmer 1968 Mercenary Edition
Altec 436A (original)
Altec 436a (Abbey Road RS124 mod)
DBX 160 (2)
Valley People Dyna-mite (stereo)
SPL Transient Designer TD4

Equalizers

Pultec EQP 1A (vintage)
Manley Massive Passive
Sontec MEP250 (vintage)
Amek Medici (stereo mastering EQ)
API 550a  (2) (vintage)
Altec 9061 (2) (vintage)
Neumann W492 (2) (vintage)

Effects

EMT 140 Plate (Martinsound upgrade)
Live Chamber
AKG BX-20 Spring Reverb
Bricasti M7 Reverb
Lexicon 480L
Lexicon PCM60
Lexicon PCM 42
Eventide 2016
AMS RMX16
Ursa Major Space Station (vintage)
Demeter Real Reverb (tube spring)
Sony R7 Reverb
Sony M7 Multi Effects
TC Electronics 1210 Spatial Expander
Ensoniq DP/4
Roland RSP-550 Multi Effects
BBE 422 Sonic Maximizer
MXR Digital Time Delay
RSP Saturator (tape, distortion effect)
Motion Sound R-3 147 rotating speaker
Echoplex tube tape echo (vintage)

Guitar & Bass Amps / Cabinets

Guitar Amps
Marshall JMP (vintage 1969)
Marshall JMP (vintage 1974)
Marshal JMP Super Lead (late 70's)
Fender Deluxe Reverb (vintage 1965 blackface)
Fender Bassman (vintage 1960’s blackface)
Fender Twin Reverb (vintage 70's silverface with blackface mod)
(2) Ampeg Gemini (mid 1960’s)
Ampeg VT-40 (combo 4x10” version of V4)
Ampeg Reverbrocket (mid 1960’s)
(2) Ampeg Jet (mid 1960’s)
Silvertone Twin 12 head (mid 60's)
Magnatone combo (1956)
THD UniValve
Plush 50w tube head with cabinet (vintage 1970's)


Guitar Cabinets
Marshall 4 x 12 cab (mid 1970’s greenbacks)
Marshall 2 x 12 cab (Vintage 30’s)
Orange 4x12
Mesa Boogie 1x12 cab

Bass Amps
Ampeg B15N fliptop bass amp (mid 1960’s)
Ampeg V-4 (vintage)
Fender Bassman (60's Blackface)
Ashdown EVO II 500
Acoustic B25


Bass Cabinets
Eden 1x10
Ampeg 1x12
JBL 140 15" (vintage)
Ampeg/Acoustic 4x10" (svt speakers)

Guitar & Bass Effects Pedals

Vintage Pedals
ADA Flanger, ADA Phaser, Electro Harmonix Deluxe Memory Man, Maestro Phase Shifter, MXR Flanger, MXR Phase 100, Foxx Tone Machine, Roland Dimension C, Echoplex

Analog Man stereo chorus, H & K Rotosphere, Heil Talkbox, Roger Mayer Voodoo Vibe, TS7 Tube Screamer, Dunlap Rotovibe, Midnight Vibe, Dunlap Wah, RMC3 Wah, Motion Sound R147

Miscellaneous

- Neve 8816 mixer
- Tonelux 16 x 2 OTB Mixers (keyboards mixer)
- Grenier Engineering (8ch vca’s controlled by Pro Tools)
- Radial JD7 Guitar DI, reamp, splitter
- Radial EXTC-SA Guitar Effects Interface (2)
- DBX 120xp subharmonic synth
- Direct Boxes made from vintage UTC and Lagevin  transformers.
- Midi Interfaces: Iconnectivity interfaces via ethernet allow large Midi setups to be put in any of the live rooms (in addition to the keyboard room).

 

Electrical System

Good sound starts with clean power and grounding.  The studio has it's own dedicated electrical system utilizing a military grade computer controlled motorized variac that maintains precise voltage (+-1%) with 0% distortion, Equitech balanced power, thick guage electrical wire and multiple grounding rods.

Audio Wiring

Our facility is wired primarily with oxygen free copper Mogami Cable and uses Audio Accessories patchbays to insure the highest quality sound.

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